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DERRIÈRE CHAQUE AFFAIRE, UNE HISTOIRE HUMAINE

Concours panafricain de photographie des droits de l'homme de l'IHRDA

Chaque affaire de droits de l'homme commence par une personne.

Derrière chaque décision historique se cache un enfant qui se bat pour son droit à l'éducation, une femme qui revendique l'égalité, une communauté qui réclame justice après une atteinte à l'environnement, un journaliste qui défend la liberté d'expression, un travailleur qui lutte pour sa dignité, un défenseur des droits humains qui refuse de se taire.

Ce sont des histoires qui restent souvent méconnues.

Depuis près de trente ans, l’Institut pour les droits humains et le développement en Afrique (IHRDA) œuvre pour la promotion de la justice sur le continent par le biais de contentieux stratégiques, de plaidoyer, de recherche et de renforcement des capacités. Notre travail a contribué à des décisions historiques rendues par les instances africaines et internationales de défense des droits humains, a renforcé la responsabilité et a soutenu les individus et les communautés dans leur quête de justice.

Pourtant, tout au long de ce travail, nous avons constaté une lacune importante.

Si les décisions de justice, les rapports et les publications expliquent les problèmes et documentent le droit, ils ne rendent pas toujours compte des réalités humaines qui les sous-tendent. Les voix, les visages et le quotidien des personnes dont la vie est marquée par ces enjeux sont trop souvent absents du débat.

Le projet « Derrière chaque affaire, une histoire humaine » a été créé pour contribuer à combler ce fossé.

In August 2026, IHRDA invited photographers from across Africa to document the people behind human rights issues, capturing stories of dignity, resilience, courage and hope that reveal how human rights are experienced in everyday life.

The competition was open to professional photographers, photojournalists and amateur photographers, attracting 100 entries from 14 African countries. Following an internal présélection process, an independent panel of judges selected three winning photographs based on five criteria:

  • Histoire humaine: The extent to which the image places people at the centre of the narrative and conveys the lived experience of a human rights issue.
  • Storytelling and Impact: The photograph’s ability to evoke emotion, provoke reflection and tell a compelling story.
  • Originalité: The uniqueness of the photographer’s perspective and creative approach.
  • Technical Quality: composition, exposition, mise au point et présentation générale.
  • Relevance to the Theme: Alignment with the competition’s objectives and thematic areas.

The 20 shortlisted photographs, including the three winning entries, were unveiled to the public on 14 October 2026 at a photography Exposition and networking reception held at Loman Art House in Dakar, Senegal. The event took place on the margins of the 89th Ordinary Session of the African Commission on Human and Peoples’ Rights.

Winning Photograph

A Place Called Maison

Caption:
A family sits silently in a wooden boat, watching a bulldozer tear through what remains of their community in Makoko, Lagos. The boats that once carried them to work, school and market have become their only refuge. This photograph reminds us that a Maison is more than shelter—it is identity, belonging and security. Amid displacement and uncertainty, it captures the quiet resilience of families determined to protect their dignity and make their voices heard.

Samuel Okechukwu - Winner
🇳🇬

Samuel Okechukwu is a documentary photographer and filmmaker passionate about using visual storytelling to inspire social change. He is a core member of the Media4Change team, a network of storytellers from various slum communities and part of the international youth media collective Know Your City TV. Through photography and film, Samuel has documented and amplified the voices of slum dwellers, highlighting issues such as forced evictions, police brutality, displacement, and livelihoods within different communities. Samuel has also trained many young people across communities, equipping them with storytelling, photography, and filmmaking skills as tools for Plaidoyer and social transformation. His mentorship encourages young creatives to tell authentic community stories and drive meaningful change. Samuel believes media can foster understanding, inclusion, and lasting social impact toward a more inclusive society
🗣️“Winning this competition is a great honour. It is encouraging to see how photography can tell powerful human rights stories, capture lived experiences, and give visibility to people and communities whose voices deserve to be heard. This recognition inspires me to continue using photography to document stories that matter and contribute to greater awareness of human rights across Africa.” Samuel Okechukwu - Winner, IHRDA Pan-African Human Rights Concours de photographie

Runners Up

Samoka's Hand

Wanjira, known as Samoka—the one who disappears—supported the Mau Mau movement in Kenya's struggle for independence. She cooked for fighters, carried messages through the Mount Kenya forest and warned them of approaching danger. Today, her weathered hands bear witness to a life of courage, sacrifice and resilience, honouring the often-overlooked role of women in Kenya's liberation.

Dennis Mavingo

1st Runner-Up

🇰🇪

Mavingo Dennis is a portrait, fashion, and documentary photographer and filmmaker based in Nairobi, Kenya. His work uses dramatic lighting and rich colour to tell stories about people, communities, human rights, and animal welfare. He has worked with World Animal Protection, Action for Protection of Animals (APAA), Freeminds Africa, and Shujaaz Magazine, among others. In 2021, he was recognised in the Photo Competition on Prospects for Growth through Livestock, launched by the African Union Interafrican Bureau for Animal Resources (AU-IBAR).

Through visual storytelling, Mavingo continues to document resilience and inspire positive change.



For Better and For Worse

Inside a Maison transformed by heat, dust and smoke, a couple holds on to moments of tenderness and everyday life. Wearing improvised masks made from newspaper headlines about health and the environment, they navigate a world shaped by pollution and global warming.

The Maison , once a refuge, has become a place where the slow violence of climate disruption is inscribed—reminding us that the climate crisis is not distant, but something that enters our homes, touches our bodies and threatens our right to a safe and healthy environment.

Ina Makosi

2nd Runner-Up

🇸🇳

Ina Makosi (Ndeye Fatou Thiam) is a Senegalese visual artist and documentary filmmaker based in Dakar. Trained in audiovisual arts at Africulturban, her work explores the intersection of personal and collective memory, identity, and contemporary social dynamics through portrait photography and documentary film.

Using visual storytelling to amplify marginalised voices, she views art as a tool for social transformation, feminist emancipation, and empowerment. Her artistic journey includes international exhibitions and artist residencies.

Shortlisted Photographs

Beyond the Classroom

On the football fields of Zanzibar, children discover far more than a place to play. Through sport, they build confidence, friendships and a sense of belonging.

A child’s smile can tell a story of joy, confidence and possibility. From moments of play and connection to the simple happiness captured in a smile.

These images reminds us that play is not simply recreation—it is a fundamental right that allows every child to learn, develop and participate fully in their community.

Rowen Smith

Zanzibar, Tanzania 🇹🇿



Here I Am

To be seen is more than to be noticed—it is to exist without apology and to occupy space with dignity. These quiet portraits are not about crisis or conflict, but about presence. Her gaze reminds us that recognition is itself a human right, and that every person deserves to be seen, heard, and valued.

Muhammad-Taha Ibrahim

Nigeria 🇳🇬



Beyond the Wedding

This portrait photograph imagines a future beyond child marriage. Featuring model Ma Awa Barry, it represents the millions of girls across Africa whose childhoods are cut short by early marriage. But rather than documenting pain, the image symbolises resilience, hope and the possibility of reclaiming one's future. It reminds us that with education, community support and opportunity, child marriage does not have to define a girl's life.

Janet Davies

Tanji, The Gambia 🇬🇲

The Life I Left Behind

Hussein, 19, carries a cardboard gun in Nairobi, imagining the life he might have faced had he remained in Nyala, Darfur. Sent away by his family to escape conflict and the threat of forced recruitment, he now dreams of a different future. This portrait speaks to the realities of displacement and the right of every young person to live free from violence and fear.

Reath Bol

Nairobi, Kenya 🇰🇪

Finding Maison in the Chaos

In Jebel Moon, Sudan, two young girls turn a manual water pump into a playground as they wait to collect water. In another life, they might be in school. Instead, conflict has reshaped their childhood. This photograph captures the remarkable resilience of children who continue to find moments of joy, even as war disrupts their right to safety, education and a stable Maison .

Sari Omer

Sudan 🇸🇩

The Girl with the Yellow Balloon

A little girl stands among the remains of demolished homes, holding a bright yellow balloon. Against the rubble, this simple symbol of childhood is especially poignant. Behind every demolition are children whose worlds have been disrupted, whose friendships, routines and sense of security may be lost. Her presence reminds us that the right to a Maison is also about protecting childhood, belonging and the freedom to grow up in safety

Resistance

Residents of Makoko and other waterfront communities take their grievances to Government House, demanding an end to forced evictions and a voice in decisions affecting their lives. Faced with displacement and uncertainty, they refuse to remain silent. This photograph captures the power of collective action and the determination of communities to defend not only their homes, but also their dignity, rights and place in the city.

Samuel Okechukwu

Makoko, Lagos, Nigeria🇳🇬

The Encroaching City

As the city expands, the coastline that once sustained generations is steadily disappearing. An elderly woman stands overlooking a changing landscape where development threatens not only homes and livelihoods, but also memory, identity and belonging.

A Ferris wheel rises above the city—a symbol of leisure and progress, but also of a landscape being transformed. As urban development expands, the spaces and environments that have sustained communities for generations are increasingly under pressure.

These photographs reflect on the human cost of rapid urbanisation and the communities left behind.

Neec Nonso

Lagos, Nigeria 🇳🇬



The Land of Becoming

On a cold Johannesburg morning, 66-year-old Mr Buthelezi leads his livestock across a seemingly desolate landscape. A former migrant labourer, he has carried his lifelong connection to farming from his rural Maison into the heart of the city. This portrait reflects the enduring relationship between land, identity and livelihood, even as cities continue to transform.

Sakhile Mrhabela Hadebe

Johannesburg, South Africa 🇿🇦

Cultivating Her Place

Taiwo Idowu walks across a young palm plantation carrying a drone landing pad for a herbicide-spraying mission. A farmer and certified agricultural drone pilot, she is challenging stereotypes in a profession where women remain underrepresented. This photograph celebrates innovation, determination and the right of women to lead in every field.

Faith Idowu

Abeokuta, Ogun State, Nigeria 🇳🇬

Through the Railings

On the streets of Lagos, childhood unfolds against the harsh realities of survival. Children navigate each day with resilience, finding ways to eat, care for one another and endure circumstances beyond their control. This photograph asks us to look beyond the street itself and consider what dignity, protection and opportunity should mean for every child.

Ademola Akinlabi

Lagos, Nigeria 🇳🇬

Common Ground

When younger children were asked to leave a football pitch for a tournament for older players, disappointment quickly turned into generosity. Seeing their distress, the older players opened another field so they could continue playing. This simple act reminds us that protecting Droits de l'enfant can begin with something as small as making space—for play, participation and belonging.

Kenko Kimadje Joel Aime

Douala, Cameroon 🇨🇲

Voice of Ernest

Following the unlawful killing of health worker Ernest Owoicho by soldiers, the people of Ugbokpo came together to demand truth, accountability and justice. Through peaceful protest and collective action, this photograph documents a community refusing to allow violence to be forgotten, reminding us that the pursuit of justice begins with ordinary people raising their voices.

Adejo God'swill

Ugbokpo, Benue State, Nigeria 🇳🇬

For Better for Worse

On the streets of Lagos, childhood unfolds against the harsh realities of survival. Children navigate each day with resilience, finding ways to eat, care for one another and endure circumstances beyond their control. This photograph asks us to look beyond the street itself and consider what dignity, protection and opportunity should mean for every child.

Ina Makosi

Dakar, Senegal 🇸🇳

What our Judges Said

Dr. Musa Kika - Executive Director, IHRDA

'As a judge, I quite enjoyed the experience. The photographs evoked different emotions, and as I navigated through the images and their stories, my emotions evolved alongside them.'

Maggie Svoboda — Senior Photo Editor, Human Rights Watch

“The photographs offered interesting and unique perspectives. I was particularly struck by the creativity and Originalité throughout the collection, with images that were vibrant and engaging in different ways.”

Peter Midwa - AI Video producer, Inkitt.

'The greatest stories are those that make you feel as though you are right there, witnessing the moment alongside the photographer. As I looked through these images, I felt immersed in the scenes they captured. The composition and framing made the experience particularly powerful.”
Chaque photographie a le pouvoir de changer notre regard sur les droits de l'homme

Derrière chaque affaire se cache une personne.

Derrière chaque jugement se cache une histoire.

Aidez-nous à raconter ces histoires.

Thank you for participating!

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